Designer'S Inspiration Is Exhausted And Forced To Liangshan

Inspired designers stay away from spring Although we can praise the hollowed out embroidered white skirt of Dior in autumn and winter of 2008, which is very characteristic of the New York movie star making era, we can slightly move the knob of memory back a few years, and the home court of Paris in 2003 was basically the same tone. As for those hippie turbans, floor skirts full of Monroe's charm, exaggerated large fold collars and black waist seals... To be honest, everyone will feel a little familiar. As always, this season's advanced customization still encountered many criticisms: Alessandra Facchinetti's new helm Valentino's first season work was approved with the shadow of Tom Ford; Christian Lacroix's magic remained in the autumn and winter of 2008, but his practicality was still questioned. At the same time, you will find that his shoulder line has not changed compared with the palace drama six years ago; Alexis Mabile's integration of men's tailoring is interesting, but do you really think that "playful and casual" will be worthy of the expensive brand of "advanced customization"? And more than one of my friends who went to the show complained that they almost thought they had entered Kawakupauling's fitting room by mistake. Wedge heel shoes with crystals and rhinestones are all the leftovers of last season. The design bottlenecks encountered by designers are nothing more than these two: the exhaustion of talents, and the overwhelming force. The exhaustion of inspiration and the compromise of inspiration are equally sad for designers. Misleading by the media is to blame Recommending excellent fashion and improving readers' aesthetic taste should be the work of fashion media. The reality is that even if Isabella Blow promoted Alexander McQueen, it was still involved in many human disputes, which led to the proliferation of Tom Ford's works in Vogue Homme, Tom Ford's personal "post Gucci era" and "post YSL era" were thus established. At that time, almost no one pointed out how bad his straight cut trouser legs were, and how his V-neck sweater coat could not stand scrutiny. Ten years ago, many people knew how to judge the good or bad of a fashion, but now ten years later, the confusion has become that the media just say yes, and the media will immediately agree and then yell on the Internet. The pressure of designers has become much heavier than before. The cruel public opinion has destroyed the future of advanced customization prematurely. Master Outage and Negative Scandals The award of "Best Designer" by CFDA to Francisco is a loud slap to Marc Jacobs. Jean Paul Gaultier's feelings have always been wild, and he does not care about the external evaluation of him. Mr. YSL is lucky that he has somehow found Stefano Pilati as the successor, so that the YSL brand will not be exposed to the dust of history after his death. The designer's private life has directly affected the fashion design itself, which is enough to make the fashion industry lose face. However, several masters have died in succession in the past two years, leaving the fashion industry out of stock, Further push the development of advanced customization to a dead end. John Gal liano, JPG and Heidi Slimane can't bear the burden of being a "master", and they need a longer time to verify the classics in their "ghost" coats; Viktor&Rolf、Naoki Takizawa、Alessandra Facchinetti After all, they are still young, and it will take a few years for them to establish their own family. It seems that only Karl Lagerfeld and Giorgio Armani and other old leaders have crossed the times. They have exhausted all their efforts just to prevent the world from snubbing high-end customization, but they cannot retire until the younger generation has fully grown up. Declining Economy and Declining Aesthetics Despite countless cynicism, advanced customization has no sense of repentance in front of numerous bottlenecks: brands do not allow them to repent, audiences do not allow them to repent, media does not allow them to repent, and the haughty attitude of the whole fashion industry does not allow them to repent. Therefore, in addition to the endless cloning and "salute", we can only see that there are only 30 endangered crocodiles in the world whose belly skins are made into bags, and only plants grown in a small country in Africa can be made into new materials for long skirts. A beautiful diamond quilt, which is worth the living expenses of 50 poor families for 50 years, is inlaid in the corner of the jacket At a time when the global shortage of resources and the deterioration of the environment have become an urgent need, do we need to use rare and luxurious materials to complete boring works without thinking? Is it really necessary for this "fashion" to exist?